Sunday, October 30, 2016

5 Scary Marketing Missteps I Still See



Happy Halloween! It's the season of jack-o-lanterns, trick-or-treaters, creepy bats, black cats and everything scary in between. But as I'm going through my mailbox and inbox, I see a lot of marketing mistakes that I am surprised are still being made. Oh, the horror! Here are five marketing missteps that I selected to share:


1. Bad Personalization
There used to be a time when we were wowed by seeing our name, job title, home city or other personal-but-not-too-personal information in a letter, postcard (those PURLs!) or email. Today, we pretty much expect it. But I do find it off-putting when I receive a "personalized" message that blatantly incorrectly states my past purchasing patterns or customer experiences. For example, I had been receiving fairly aggressive e-mail reminders to register for an event that I indeed signed up for two months prior. Was I really registered? I started to wonder. I called the organization and the representative understood my mild frustration and acknowledged that they were getting several emails and calls, but there was no way to remove current registrants from the marketing list. If that were the case, a note in the email, such as "Already Registered? Forward to a Friend" or something along those lines could have gone a long way to consider the different audiences receiving the emails.


2. Flawed Call to Action
It's basically Marketing 101: include a call to action in your message. It's rare that this is ever omitted, but sometimes a weak call to action is nearly as bad as not having one at all. One that seems to be overused is simply including an organization URL without a specific call to action. That is, what do you want me to do when I get to your website? Make a purchase? Seek more information? Sign up for something? Details, please. I also think we should replace the lackluster Save the Date messaging (used on everything from annual conventions to weddings), with something stronger. Even Plan to Attend is a more of a directive.


3. Weak Brand Identity
If you live in the DC metro area, you could not hope to ignore the "surge 6...7...8..." reports we hear on the local news, which references the different phases of railway track repairs happening over the last several weeks, with more to come, through the DC public transportation rail system. The idea is that this work was much overdue and shutting down parts of the system through these phases is the only way to complete it. But how and why did DC Metro let the local media control the communication and re-brand the work as "surge" rather than DC's own SafeTrack messaging? After the bad publicity of crimes at stations, fires in tunnels and failing escalator systems, DC Metro had the opportunity to try and spin this track work and at least give the public some hope of a revitalized rail system that is to come. But there was no spin. We watched as the DC Metro brand continues its spiral downward. 


4. Mediocre Messages
I get that we live in a society that is much more informal than in years past. I'm ok with marketing language that reflects that. I also think with marketing language, you can break some of the rules of grammar. But some marketers are simply "phoning it in." I particularly like it when I see copy or a message that is compelling, inspirational or clever. But too often, copy is lazy or too vanilla to spark the slightest of interest or make the simplest of arguments. I'd love to see more of an investment in the art of writing.


5. Poor Use of the Medium
I imagine you'd agree that we are in an age of shorter attention spans. Also, imagery is becoming the preference of choice, particularly on social media. So as marketers, we need to leverage the medium to match the preference of users. Leverage relevant graphic imagery on social media to tell your story. Keep emails succinct and to the point. Remember: you're competing with hundreds of messages a day: you'll need to stand out in order to be remembered.
















©2016. Tom Quash



Monday, February 8, 2016

Memorable(?) Super Bowl 50 TV Commercials

As you probably know and agree, the Super Bowl has evolved into much more than a game: it's an event, that literally kicks off days before the actual kickoff. And admittedly, I get caught up in the celebratory bookends to the actual game itself: the pre-game coverage, the statistical analysis, the love/hate debate over the halftime show, the post coverage and of course, the TV commercials. As a marketing professional, I watch the commercials with great scrutiny, curiosity and sometimes, admiration. So, I solicited the help of my 12-year-old son to select the most memorable TV commercials shown during last night's game. We were frankly, a bit underwhelmed, but these few stood out for us, at least.


Avocados from Mexico - Full disclosure: I'm a sucker for pop culture mashups and this ad had funny-looking aliens touring human "oddities" on display, including a Rubik's Cube, that famed blue/gold dress that went viral last year and even Scott Baio. Jam packed with pop culture references, humor and the product payoff at the end, this one delivered.






Apartments.com - It starts off with Jeff Goldblum singing the theme to The Jeffersons TV show while getting hoisted up the side of a high rise. At the top apartment, he sees George and Weezy (that is, George Washington and Li'l Wayne. Get it?) It's an ad for Apartments.com we learn and then the whole thing makes a bit more sense.


Audi - Retired Astronaut - We see the "commander," a retired astronaut, who appears sullen; like he's given up on life. Until his son (I assume) lets him drive a new Audi R8. The car mirrors the feeling the older man had when he commanded a spaceship, we learn partially through flashbacks. The car speeds along the highway while David Bowie's Starman plays and then the former astronaut cracks his first smile. Touching and uplifting.


Puppy Monkey Baby - This weird Mountain Dew commercial was so bizarre; my son and I couldn't help but to laugh. Silly? Sure. Memorable? You bet. Successful? We'll see.








We also gave our "thumbs up" to the Amy Schumer and Seth Rogen "Bud Light Party" which in part pays homage to Independence Day dialogue, the Prius 4, the Turbo Tax ad with Anthony Hopkins and Drake's T-Mobile commercial.


Super Bowl commercials as mini-must-see-TV events started back when Apple used the opportunity to announce its Macintosh computer through a 1984 inspired ad. Other ad agencies soon jumped on the bandwagon. And today, some brands launch their ads online in advance of the Super Bowl to gain even more buzz.


But does this really work? Will avocado sales spike? Will the new Mountain Dew drink take off? Perhaps. Those advertisers and brands that will likely see the Return On Investment are those that realize that while they are in front of the biggest TV audience of the year, their message must strategically be part of a full campaign that includes brand and product awareness and integration. Chances are the folks at Anheuser-Busch were elated that Peyton Manning mentioned...twice...that he would celebrate the Broncos' win by drinking a lot of Budweiser. Now that's a Super promotion.


















©2016. Tom Quash




Sunday, November 1, 2015

10 Things You Need to Know About the ASAE Gold Circle Awards

Ah, November...Halloween is over and some of you are already mapping out Thanksgiving Day plans or mentally (and financially) prepping for Black Friday deals. But for the ASAE Gold Circle Awards Committee, November kicks off the 2016 awards program season. So I thought now would be the best time to share these 10 things you should know about the ASAE Gold Circle Awards Program.

1. The ASAE Gold Circle Awards is a year-long program that recognizes excellence in association marketing, membership and communications fields.

2. There is a hard-working Gold Circle Awards Committee that evaluates and revises, where necessary, all components of the program. It is made up of association professionals from the three core areas and Committee members serve on sub-groups to help manage the communications and visibility of the program, oversee the judging process, promote the content of award-winning campaigns and develop sessions, webinars and other related professional development opportunities. That's us (those that attended the recent in-person meeting at ASAE headquarters in Washington, DC) below.
2015-2016 ASAE Gold Circle Awards Committee

3. We've streamlined the categories and made the criteria easier to follow. Together, this will make the application process simpler. In addition...

4. ...A new online application platform, thanks to ASAE, will allow for a smoother submission experience.

5. The awards celebrate marketing, membership and communications, but it is relevant for every area of association management. We are building engagement and recognition of the program among the C-suite and expect participation from all disciplines of associations, from technology to government affairs to education.

6. Past winners are featured in education sessions at the ASAE Marketing, Membership & Communications Conference, in Associations Now Daily, through virtual lunches and webinars, in newsletter articles, news media outlets, video and online.

7. We've fine-tuned the judging process to better fit this into the busy schedules of association professionals. Once the Call for Judges opens this winter, be sure to volunteer.


8. We rely on the generosity of our friends on the ASAE Marketing, Membership and Communications Councils to help champion the program. Each group has a representative that sits on the Committee. This coming year we're reaching out to several other volunteer groups within the ASAE community as well as external organizations to join us in promoting the program.

9. While we are typically most active on Twitter during the #MMCConf event where the winners are recognized, expect to see more exposure on social media platforms throughout the year. Bookmark our dedicated url: www.asaecenter.org/goldcircle.

10. Check out your ASAE communications this month to learn more about the Gold Circle Awards Program, deadlines and how to get involved. The Gold Circle is the shape of association excellence. We hope you'll support the program through your participation, promotion and engagement.

© 2015. Tom Quash




Wednesday, May 13, 2015

Disco Marketing: 5 Funky Tips from 70s Music


The other day while driving and listening to satellite radio, I went on another one of my grumpy tirades about today's music, while my kids listened with little interest. I explained how the music of my youth leveraged the nearly lost art of storytelling to spin a tale through song; a practice so often absent from the charts today. Think about Papa Was A Rolling Stone or Bad, Bad Leroy Brown. Aren't these compelling stories that were put to music?

But then I thought: what about disco music? Why was it so popular? Is there anything about the 70s disco era that might still be relevant today? That is, are there marketing lessons we can glean from disco? Certainly. Here are five:

1. Identify Your Call To Action, Clearly. Then Repeat It.
Some of today's marketing campaigns try so hard to be trendy or clever, that the call to action or sometimes even the product itself gets lost in the clutter. If I challenged you to name three ads from this year's Super Bowl, the apex of TV advertising, would you be able to do it? Can you recall the commercial and the product?

But if I were to ask you to name three disco tunes from the 1970s, you would most likely get to those much quicker, regardless of your age. Think about some of the disco tunes of the 70s--they are essentially little ads with the call to action right there in the title: Get Up And Boogie. Shake Your Groove Thing. Turn the Beat Around. Do a little dance; make a little love; Get Down Tonight. Repetition was common in disco, just to be sure you got the message. And this works in marketing too. Simply put, get to the point.


courtesy of SoundOpinions.org
2. Stay True to Your Brand
It's important to remember that the perceptions of the marketplace define your brand. When Toyota wanted to launch a luxury automobile line, they knew that no one would associate paying top dollar for a Toyota. That wasn't their brand essence. So they had to develop a new brand: Lexus. Consider the "queen of disco," the late Donna Summer. As disco eventually fizzled, Summer still remained on the charts, post-disco (with such hits as She Works Hard for the Money and This Time I Know It's For Real). Though the category of music changed (disco was out, "dance" was in), Summer stayed consistent with her brand identity long after her Last Dance days, recording new dance tunes, but also returning to her disco roots through concert appearances and live compilation recordings.

courtesy of TK Records
3. Promote Your Strengths
I say this affectionately: no one would accuse KC and the Sunshine Band of performing deep, thought-provoking tunes. And they never tried to do so. Their same-sounding songs capitalized on their strength as a diverse, horn-blowing energetic, fun band that could turn the simplest of titles--I'm Your Boogie Man and That's The Way (Uh Huh, Uh Huh)I Like It--into chart-topping staples of their era.




4. Enhance the Experience
Opportunities to supplement brand messaging were limited in the 70s; not much beyond TV, radio and print media. So the disco music "movement" (using the term loosely) was enhanced through...I'll call it..."experience accessories:" platform shoes. whistles. disco balls. Yes, even tambourines on the dance floor. Today, you can enhance your brand with a social media presence and a host of new options--bloggers, email, web ads, even online gaming--that did not exist then. With so many ways for consumers to digest content and messaging today, a strong marketing campaign must include a strategic mix of marketing and communications channels and platforms to reach your audiences.

5. Be Bold
Ok, so things got a little crazy back then: Ethel Merman dropped a disco album. The Bee Gees' Robin Gibb teamed up with the Muppets for Sesame Street Fever. It's ok to take risks -- you should learn from any mistakes. The goal is to use data and research, consider your brand positioning, craft your messaging and go for it. Taking risks does not mean to do so foolishly and blindly. Evaluate how your risk performed. Rod Stewart's Do You Think I'm Sexy and the Rolling Stones' Miss You are less full-blown disco records than they are examples of artists who capitalized on the trend of the day to release their signature sound with disco undertones, risking alienating their core fans who considered disco kitschy and may have turned on these artists. Instead, both hit number one with their respective songs, maintained their credibility and likely captured new followers.

So, the next time you're just starting on that marketing plan, remember that there are marketing success stories everywhere, even from some 40 years ago in music...lessons that are still relevant today and that you can employ to ensure your campaign is stayin' alive.


©2015. Tom Quash











Tuesday, December 9, 2014

My 10 Favorite Christmas Moments in Film & TV


Some say Christmas has become too commercial (well, Charlie Brown has been saying that since 1965). The Thanksgiving turkey is barely out the oven before we're bombarded with Black Friday and Cyber Monday sales and radio stations convert to 24-hour holiday music marathons. But that's ok by me -- even if we do get sidetracked from the true meaning of the season, whatever your belief, it's a time that hopefully we find ourselves coming together with friends and family. And for the movie and TV buff among us, we can check out those holiday moments from the big and small screen that strike a chord with us. With a happy 50th anniversary nod to Rudolph the Red-Nosed Reindeer, which airs tonight on CBS, my 10 favorite moments...

1. Ralphie Meets Santa

 
There are so many funny memorable moments in the beloved A Christmas Story: the tongue on the icy pole, the leg lamp. But this scene reminded me of my mother taking me to Manhattan's Macys and Gimbels to check out the department store Santas when I was kid (they just weren't quite as scary).


2. The Miser Brothers - They're Too Much!

 
From the Rankin-Bass catalog of stop animation, The Year Without A Santa Claus ages best, in no small part to the Heat Miser / Cold Miser brothers and their catchy song (which even was featured in the Batman and Robin film).
 
 
3. Peanuts Dance Party
 
 
Yes, the Charlie Brown Christmas features the heartfelt "meaning of Christmas" speech by Linus but do you anticipate any scene more than the Peanuts gang dancing to Schroeder's jazzy tune?
 
 
 
4. You're A Mean One, Mr. Grinch
 
 
How bad is the Grinch? His "theme" song tells it all, from Dr. Seuss' How The Grinch Stole Christmas (fun fact: it was sung by Thurl Ravenscroft who also voiced Kellogg's Tony the Tiger).
 
 
5. Bedford Falls Helps Out George Bailey
 
 
For the record, I'm impatient. So I get annoyed by how long it takes George Bailey to realize he is not dreaming or getting pranked by Clarence the angel-in-training in It's A Wonderful Life. Still, when the townsfolk come together and donate their hard-earned money to save George's bank, well, that IS the meaning of Christmas. 
 
 
6. End Scene - Bad Santa & The Stuffed Elephant
 
 
Bad Santa is not for kids or even some adults. It is one raunchy, envelope-pushing black comedy. And just when you think the title character, played by Billy Bob Thornton, has no redeeming qualities, he surprises you in the final scene of the film.
 
 
7. Santa! I Know Him!
 
 
It's a scene from Elf that lasts but a few seconds, but when Will Ferrell expresses extreme jubilation once the department store announces Santa's arrival, it still works as the catalyst to one of the film's funniest moments.
 
 
8. Soldiers vs. Bogeymen
 
 
 
It may not officially be a holiday film, but the Laurel and Hardy Babes in Toyland-based March of the Wooden Soldiers features a climatic battle between the life-size soldiers and the evil bogeymen.
 
 
9. The Island of Misfit Toys
 
 
The classic Rudolph the Red-Nosed Reindeer is filled with many memorable moments and characters, including these playful oddities which eventually find their way inside Santa's sack of toys. Hey, what was wrong with the doll, by the way?
 
 
10. Tonto, Frankenstein and Tarzan
 
 
 
This 30-second Saturday Night Live skit featured Tonto, Tarzan and Frankenstein singing a barely recognizable Away In A Manger. This spot-on parody captured the holiday greetings from staff that played on our local station WPIX New York as well as many other local stations across the country.
 
 
Honorable Mention: The Yule Log
 
 
Speaking of WPIX in New York City, the channel's annual tradition, that began in the 1960s, was to broadcast this burning log against the soundtrack of popular holiday music. Like Grandma's fruitcake, it wasn't really the Christmas season without it (fun fact: it was originally filmed in Gracie Mansion, the official residence of the New York City mayor).
 
 
I'm sure there are others I would have liked to add (sorry, Frosty), but there you go. What's your favorite?
 
 
 
 
© 2014. Tom Quash
 
 
 
 

Monday, December 1, 2014

8 Questions for Chris Cathcart - The Spirit of Giving Back



The Spirit of Giving Back

8 Questions for Chris Cathcart

Activist, Communicator, Author

Christopher Cathcart is a published author; public relations, marketing and brand development expert; and a noted social entrepreneur. In 1995, Cathcart founded OneDiaspora Group, a Los Angeles and Washington, DC-based communications consulting firm whose clients have included Jaguar Cars, Hidden Beach Recordings, UniWorld Group, Inc., Heart & Soul magazine, among others. His first book, The Lost Art of Giving Back, a how-to guide to volunteerism, was published in 2007. Before starting OneDiaspora Group, he was an executive at some of the world’s leading entertainment and media companies, including CNN, Motown Records, and Warner Bros. Television. Beyond the world of communications, Cathcart is also highly respected in the advocacy and service communities. He works tirelessly in promoting HIV/AIDS awareness and education, as well as mentorships for at-risk youth. He is the co-editor of the new book, HBCU Experience - The Book: A Collection of Essays Celebrating the Black College Experience.
 

Your passion for giving back is woven throughout all that you do, and have done, through your adult life. What drives you?

I’ve always been committed to dedicating my time and resources and talents to improving the environment I’m in – my community, the nation, the world – however you want to define it. I just think we have a responsibility to make sure we leave this place a little better than we got it. And this goes back to my Howard University days; working with student groups in an effort to try and improve whatever conditions we found ourselves in and in trying to enlighten people so that they felt some responsibility to do the same. No matter what I did professionally or what I do professionally, it’s always been geared toward some form of service and giving back.

 
How can we make an impact?

There’s so much need out there that it’s easy to identify things that can use your input or support. The trick is, as individuals, finding the things that we might be passionate about and feeling compelled enough to go beyond our comfort zone and actually get involved. There is no debate about whether you should do something. The debate is really what you do. And that is an individual decision. I tell people all the time, you don’t have to do what I do. But you have to find some way that you can make a difference. Because we are all beneficiaries of the people who came before us; those who experienced some level of sacrifice so that we’re able to do the things that we’re able to do today. This journey is not over; we’re just at this precise point of it, so it is still our responsibility to ensure that those that come after us have an easier way to go. They’ll still have their challenges but hopefully they will overcome some hurdles so that they can go on and fight new battles.

 
From your perspective, have we made progress and where can we continue to improve?

I do believe we have made progress, but there’s a lot more work to be done. I think one of the major hurdles we have to overcome now—and this is my personal belief—is that we live in a very selfish time where it’s very easy to be self-centered about how you approach life. I think that while the advent of social networking and new media in one sense has brought many more people together than could’ve been brought together otherwise, it also allows you to focus very heavily on yourself and your own self-interests. And so we have to overcome the tendency with using all of this new technology to indulge our own individual ideas and wants and needs as opposed to using the ability to connect with so many people as a way to uplift and educate and inspire large numbers of people. We have the tools to be much more effective with doing good and reaching out. If you look at Facebook and Twitter, a lot of these posts are extremely self-serving. And we all have a desire to feel important and stand out, but as Dr. King said, everybody can be great because everyone can serve. So we have to fight that urge to overindulge and try to use some of our energy and skill and passion to try and inspire others.

 
Tell me about your new book, HBCU Experience - The Book.

My partner in this project, Dr. Tia Tyree, [co-editor] and myself both believed that HBCUs [historically black colleges and universities] are still vital. They still have a very important role in our education system and need to be protected and exalted and we need to remind folks of these things. There are already many vehicles out there to discuss black colleges – websites, movies, TV shows. But we thought one of the things that is often lost in the discussion is the actual experience and the experiences of the graduates themselves. And not just the famous people who have attended. The reality is, for the most part, they weren’t famous when they were there. There were certain things perhaps that happened within the context of their time at the HCBU that helped propelled them to the things that they ultimately did.

So what we wanted to do is collect a series of stories from various HBCU graduates from various eras and have them discuss an incident or an experience while they were at school that helped fundamentally shaped who they are today. With these stories, we could share them with other HBCU grads and people who went to predominantly white institutions so that they could get a glimpse of what those who have attended an HBCU have experienced. These can also be shared with high school students who may be entertaining which school to go to and what type of school to apply to, giving them just another piece of information to consider as they make that decision. And most importantly, this effort is to really help underscore that our HBCUs and black colleges are still relevant and play a tremendous role and will continue to play one in educating our people.

 
Does this relevance become more challenging to communicate as some communities become more diverse?

I think that diversity is a challenge but it is a challenge that we should welcome. Black colleges, HBCUs, have to evolve too. The doors should be open, and they are, to people of all backgrounds. There are some people who frown upon those black colleges that are trying to get more non-black students involved. I don’t really feel that way. I just think this offers another opportunity for those who may not want to go to some of the schools they may consider as frontline. It’s important that all young people—particularly people of color, African Americans—at least include HBCUs as they go about the application process for schools. Diversity does make it a little more challenging than, say 40 years ago, when the odds were that you were going to go to a black college if you came from a certain part of the country. That’s not the case anymore. But that diversity shouldn’t be something that takes away from the draw of our black colleges. I never promote just going to black colleges for the sake of going. It still has to do for you what you want it to do. Don’t let the fact that it is a smaller school, maybe not as well funded as some larger institutions, not as diverse as you were lead to believe schools should be, deter you from applying. Because they can fill gaps that maybe some of the other schools and education opportunities don’t.

Howard University, Washington DC
 
Any HBCU experience that stands out for you?

I have a very unique college experience because I came to school on an athletic scholarship. So I played two years as a football player, kept getting hurt, got active on campus and that led to getting involved in student leadership which eventually led to becoming president of student government. Probably the year I spent as president of the student government had a profound impact on me because that was really the first time in my life, from the leadership standpoint, that I was able to really serve. I enjoyed the opportunity to first, serve in that capacity, and secondly, to help raise issues like ending apartheid and getting black studies made mandatory on Howard’s campus, to the point where other people thought they were important as well. And I was able to take the lessons I learned from the many mistakes that I made during that time and apply them when I left school.

 
What’s the one thing most people may not know about you?

People may not know how earnestly I tie up the sense of service and giving as part of my defining character; how hard I am on myself relative to feeling I’m not doing enough. It’s not something I discuss outwardly but I always feel that I should be doing more. I live almost in fear—this may be a bad word—almost in fear that once my time passes on earth I have not done the things I was supposed to do. That may be me pursuing an ever-moving target but I think about that. When all my time is done, I want folks to be able to say, ‘he really tried his best’ and I often fear that I fall short of that.

 
If you could break bread with anyone, living or dead, who might that be?

I’ve often thought about this. Malcolm X. I can tie directly to studying Malcolm in my Afro-American studies class, freshman year at Howard. I did a paper on him: The Evolution of a Black Leader. I got an A- on it but the research for that paper really opened my eyes up and altered my thinking. I attribute a lot of the growth that I had after that to that door being swung all the way open through my reading of his speeches and some of the writings about him and I can draw a line from that experience to a lot of the things I did not only at Howard but afterward.

I think that there are so many people that have such strong feelings about Malcolm X that it clouds the reality of who he was and his journey—personal development, spiritual, political, educational and otherwise. And I would just love to sit down and talk to him and hear from him—the evolution he went through; the arch, where he went from Detroit Red to that unfortunate day in February of ’65 when his life was taken. How was he able to have the courage to make those type of changes when so many of us in life are very reluctant to make any kind of serious changes in our lives. And he did it against tremendous odds. I would just like to know what his journey was like, from him.

 


 
 
 
 
 © 2014. Tom Quash

 

 

Monday, November 24, 2014

8 Questions for Sheri Singer: Mavericks of MarComm Series



The Mavericks of MarComm
A Quashspeak Series

8 Questions for
Sheri Singer
President and CEO, Singer Communications

Sheri Singer has more than 25 years of award-winning public relations, marketing and communications experience. Before starting her firm, Sheri was a vice president for top 10 public relations agencies (Ketchum PR) managing accounts for worldwide clients and bringing them strategic communications, public affairs, branding, materials development, social marketing, marketing communications, media relations, research, and special events expertise. She is the author of numerous articles and has served as editor of more than 10 publications. She has been honored with PR Week’s most successful corporate public relations campaign, an ASAE Gold Circle Award and an Art Directors Guild Award.


WHAT DROVE YOU TO THIS INDUSTRY?

I first started in broadcast journalism as an on-air producer in Baltimore and with WFMD in Frederick, Maryland. One day I found myself covering the crowning of the Maryland Dairy Queen and sticking a mic in the face of a 16-year-old and I realized I’m not doing this anymore. A friend of mine connected me to ASAE and I ended up with my first association job, as the assistant editor for three newsletters and our 72-page color magazine. One day, I suggested we might want to do some public relations around our annual meeting and I was told to pursue it. It turned out that I was able to get the press—including CNN and the Atlanta Constitution—to come to our event.


WHAT EXCITES YOU ABOUT MARKETING / COMMUNICATIONS [MARCOMM] TODAY?

No two days are alike. You have to juggle many balls and you remain busy all day. I am very passionate about what I do and the best client is not one that tells you what to do and where to go, but one that is eager and ready to take that journey with you.


WHAT TRENDS DO YOU SEE?

I see two parallel tracks – the “old” and the “new” kind of interaction. The “old” is a return to the basics. We’re tweeting now, but what are we really saying? It all goes back to writing, messaging and building your brand. Briefly, we had forgotten that, but ironically we’re now remembering to turn back to these basics. Today, we are also becoming more visual. With video and infographics, for example, a picture is worth a thousand words.

WHAT BRANDS ARE DOING IT RIGHT?

In the association community, I’d say ALS, with the Ice Bucket Challenge. I wish I would’ve thought of that. Though they didn’t really start it, through a series of events, they became the beneficiary of the campaign. On the corporate side, I like Amazon and Google. They do some things right and others are complete misses. That’s what makes great companies – you own and learn from your mistakes. You’re not fully living if you don’t take risks.


ONE THING THAT PEOPLE DON’T KNOW ABOUT YOU?

I’ve been in about 50 plays. I’m trained as an actress and as a singer and I use those skills when I present.

WHAT ELECTRONIC DEVICES DO YOU PREFER?

I like my iPhone, my computer and my Kindle, but I love Google Search. I look up everything that I don’t know with hope that one day I will know everything. I’m still a work in progress.

WHAT MIGHT BE THE PR STORY OF THE YEAR?

It’s a toss up. The mid-term elections shockingly captured the mood of the country. I think there are two messages here. One, is the ‘we’re not going to take it anymore’ thought. [The governor's race in Maryland] so significantly shows how the country feels about Obama and race in general. The issue in Ferguson is unbelievably sad. It demonstrates how far we only think we’ve become when we look at race in this country. But from my own perspective, the ALS Ice Bucket Challenge is the PR story of the year. It showed how people leveraged social media in a tremendous way, with huge impact, unlike anything we had really seen before.

YOUR AUTOBIOGRAPHY, TO DATE, IN 140 CHARACTERS OR LESS:

Leader, entrepreneur, creative, deep thinker, dynamic, engaging, fun, beach lover, Pilates enthusiast, good friend, giver, compassionate.
 








© 2014. Tom Quash